November 13th 2009
Stereo Pinhole Experiment… Posted by: jusdm
Blogs not liking me at the mo, so here’s a link.
http://picasaweb.google.com/JusDevonMoore
October 28th 2009
Book Sculpture… Posted by: jusdm
From the book binding workshop. Originally the guiness book of world records 2005, we were asked to do two things to drastically alter the appearance of our books. I cut off the hard-back cover and folded the pages into a triangular shape… all 284 of them.




October 9th 2009
Interactive Colour Update Posted by: jusdm
Ahh what another beautifully vague project we have been given to ease us into the life of BA Graphic Design.





Interactive Colour from Mika Vaajoki on Vimeo.
October 22nd 2009
Pinhole Camera: “…it would only take 7 seconds…” Posted by: jusdm
The philosophy for using a pinhole camera in dull light. Courtesy of Tim Harris. Here are some snaps from the test run of my camera. They all came out pretty clear. Im in the process of making my second and also selecting a subject matter.


October 21st 2009
Nigel’s A1 Communication Project Posted by: jusdm
The results of the DON’T LOOK UP project undertaken by Urjuan Toosy, Mika Vaajoki and myself. We spent a day confusing the public of Liverpool Street, London, in order to see how well we could interact with a single sheet of A1 paper. Here are some shots from our hidden cameras. Enjoy!







October 8th 2009
Pop Life Posted by: jusdm
Some photos i took at (ssShh!) the Pop Life exhibition at the Tate. Spot the nude.
Source: http://www.tate.org.uk/modern/exhibitions/poplife/default.shtm
Andy Warhol claimed “Good business is the best art.” Tate Modern brings together artists from the 1980s onwards who have embraced commerce and the mass media to build their own ‘brands’.Pop Life includes Andy Warhol, Damien Hirst, Jeff Koons, Takashi Murakami and more.





October 7th 2009
Brick Lane Dérive Posted by: jusdm
Brick Lane dérive, London September 2009. Source: wikipedia. Photos by Jus n co.
In situationist texts, a Dérive is an attempt at analysis of the totality of everyday life, through the passive movement through space. It is translated as drift.
“The dérive (with its flow of acts, its gestures, its strolls, its encounters) was to the totality exactly what psychoanalysis (in the best sense) is to language. Let yourself go with the flow of words, says the psychoanalyst. He listens, until the moment when he rejects or modifies (one could say detourns) a word, an expression or a definition. The dérive is certainly a technique, almost a therapeutic one.”





